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Liggins Gerber


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From the Gucci Lebensohl - Fast and Slow thread:

 

In regards to this situation I would recommend a convention I call "Liggins Gerber" - a jump to 4 shows a good 13+ with at 5 cards in the unbid major (ie a slam try). With a game force in clubs we can bid 2NT then 4 with a slam try or follow one of the flexible routes when trying to keep 3NT in the picture.

 

Liggins Gerber is also useful in many other auctions, most commonly after 1-3 or the converse: 4 now shows a slam try in hearts and 4 shows a slam try in clubs.

So Liggins Gerber has something to do with 4 showing the unbid major in some situations? (Which?)

 

From the Do pre-empts work? thread:

 

After 1-3, hands with hearts are a real problem. I play something pretty good here, which is loosely based on "Liggins Gerber":

 

4 = 6+ hearts, circa 13+

4 = natural, GF

4 = nat, max circa 12 points

4 = clubs, slammish

4NT = two suiter, hearts plus minor, big

 

With clubs, you usually double to keep 3NT in the frame, so losing 4 is not bad.

But if this is only "loosely" based on Liggins Gerber, what is Liggins Gerber exactly?

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From the Gucci Lebensohl - Fast and Slow thread:

 

 

So Liggins Gerber has something to do with 4 showing the unbid major in some situations? (Which?)

 

From the Do pre-empts work? thread:

 

 

But if this is only "loosely" based on Liggins Gerber, what is Liggins Gerber exactly?

.

The idea, as I heard it, just applied to the sequence 1-(3), where 4 is used to show a good heart raise and 4 to show a one-suited slam try in clubs.

 

But I also like to use it where hearts is a new suit (as described above, and also after 1NT-3) and also in some fairly weird spots such as 2-Dble-P-4. It is less useful if partner has opened 1, since you can make a cue bid below the level of game. However, I still think it's a winner after 1-3, for instance, since the good spade raises are way more common (and important) than the club hands.

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