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Apology


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Apology

 

by Jason Whitmarsh

 

That last love poem I gave you, I want to apologize for that. It was

crudely put and several of the metaphors leaned too heavily on sea

life. I love you so much more than that. The best pan of the poem

was the beginning, and that had nothing to do with you, or me,

or how much either of us loves each other. It was just a line from

another, better poem. Most of the poem sounds defensive, like I've

been accused of not loving you, or you of not loving me. Not that

I think I don't love you, or you me. I don't. Still, one could read a

poem by someone else and it'd seem more authentic—you'd be more

likely to think that poem was dedicated to you, I mean, than to think

mine was. One could even argue, too, that by studiously avoiding

your name or any identifying traits, I was making this poem fit for

more than one person, like women in general, or a second wife, or

your very attractive sister.

 

from Tomorrow's Living Room. © Utah State University Press. Reprinted with permission at http://writersalmanac.publicradio.org/

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One could even argue, too, that by studiously avoiding

your name or any identifying traits, I was making this poem fit for

more than one person, like women in general, or a second wife, or

your very attractive sister.

 

ROFL

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